I resolved to swallow the one with the other and indeed, they present such an interesting contrast that the differences between them prove more fruitful than either would be on its own. This oddly shaped (9 x 9”), self-described “workbook” in the arts of “unlanguage” promised to be, as I mentioned at the end of my previous post, “the weirdest novel of 2018.” Then two things happened: I found Unlangauge, true to its name, nearly impossible to read, and I heard a Weird Studies podcast extolling the strangeness of Susanna Clarke’s Piranesi, published in 2020. My original intention for this post was to close a series of contemporary weird novel reviews with an analysis of Michael Cisco’s Unlanguage, published in 2018 by Eraserhead books. James S Arroyo on Weird Fiction Review #9: The C… Matthiasregan on Weird Fiction Review #9: The C…Īlia storino on Weird Fiction Review #9: The C… Weird fiction… on Weird Fiction Review #9: The C… Weird Fiction Review #9: The Cabin at the End of the World by Paul Tremblay.Weird Fiction Review #10: On the Apollonian and Dionysian in Weird Fiction Today–Piranesi and Unlanguage.
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